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1# 贡嘎山
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Swan, Wyoming

Photograph by James P. Blair, National Geographic



This serene image by photographer James Blair succeeds all the more because of its cool blue palette. Every inch of the image says winter, peace, silence. Colors can imbue a photograph with a strong sense of mood. —Annie Griffiths

Photo Tip: Blues tend to be cool colors, especially the blues that drift toward purple. When they dominate a scene, we feel a shiver—an emotional response to the color. One blast of yellow or red in a mostly blue scene will warm it up and change our reaction. Remember to use color creatively in an image to leave an overall impression on the viewer.
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Moment How to Take HDR Pictures
2# 四姑娘山
 楼主|雪儿 发表于: 2011-7-10 14:06:36|只看该作者
▲温馨提示:图片的宽度最好1800 像素,目前最佳显示是 900 像素,请勿小于 900 像素▲

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Cormorant

Photograph by Josh Exell, My Shot



Silhouettes against a colorful sky or background can make wonderful pictures. The trick is often to underexpose the brighter area of a photograph. The dark area and shadows don’t change in this beautiful shot by Josh Exell, but the orange is a richer orange because of the deeper exposure. —Annie Griffiths

Photo Tip: Most of us know that sunsets can provide dramatic colors in the sky. But many people don’t realize that if they keep shooting after the brightest color seems to fade to the naked eye, a richer hue of the color may appear on film or flash card.
部分图片、文章来源于网络,版权归原作者所有;如有侵权,请联系(见页底)删除
3# 峨眉山
 楼主|雪儿 发表于: 2011-7-10 14:06:52|只看该作者

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New York City Skyline

Photograph by Jim Richardson, National Geographic



At times, the overall color of a scene can be so different from the way we normally see it that we hardly recognize the place. Seeing lush, green Central Park in a pink fog changes it completely in Jim Richardson’s stunning view, shot from a hotel window. —Annie Griffiths

Photo Tip: Bad weather makes great pictures. It can also make the familiar completely new. So head out in that snowstorm and find ways to shoot in the rain. Celebrate fog and sandstorm and lightning. New pictures await under these conditions.
4# 金佛山
 楼主|雪儿 发表于: 2011-7-10 14:07:11|只看该作者

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Black Dog

Photograph by Tarik Mahmutovic, My Shot



The simplicity of this poignant photograph by Tarik Mahmutovic is strengthened by the way he cropped it. Nothing distracts from the basic black of the puppy’s body, so we are pulled into its mournful eyes. —Annie Griffiths

Photo Tip: Keeping the color palette simple by cropping out any distracting background can call attention to the most important elements of a photograph. Remember, black and white are colors too.
部分图片、文章来源于网络,版权归原作者所有;如有侵权,请联系(见页底)删除
5# 华蓥山
 楼主|雪儿 发表于: 2011-7-10 14:07:26|只看该作者

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Lightning, Nebraska

Photograph by Jim Richardson, National Geographic



Colors are often associated with certain emotions. The eerie green of the porch against the oddly purple sky gives a spooky feeling to the whole image. Photographer Jim Richardson has wisely worked with the halogen lighting that photographers usually avoid. —Annie Griffiths

Photo Tip: Remember that artificial lighting comes in a variety of colors. Tungsten is yellow, flash is blue, and fluorescent varies. These colors can make or break a photograph, so use them thoughtfully.
6# 青城山
 楼主|雪儿 发表于: 2011-7-10 14:07:43|只看该作者

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Macaws, Bolivia

Photograph by Joel Sartore, National Geographic



It’s the colors in this abstract photograph that allow us to recognize the birds in flight as macaws. Because macaws have such bright and distinctive colors, photographer Joel Sartore was able to create a successful abstract image, one in which birds of quieter hues would have disappeared. —Annie Griffiths

Photo Tip: Distinct colors can help the viewer recognize objects in an abstract view. When presented with this advantage, the photographer has more leeway to be creative with time exposures and motion while still allowing the subject to read.
部分图片、文章来源于网络,版权归原作者所有;如有侵权,请联系(见页底)删除
7#
 楼主|雪儿 发表于: 2011-7-10 14:08:01|只看该作者

Ballet Dancers, California

Photograph by James L. Amos, National Geographic



Like nodding flowers, these ballerinas flow together as much for the palette of their costumes as for the choreography of the dance. Photographer James L. Amos has wisely photographed from above, allowing the soft pastels of the tutus to seem suspended against the simple dark background of the floor. —Annie Griffiths

Photo Tip: Varying colors that have the same feeling or mood in a scene can blend together to give an overall impression of color. This is true with both soft and bright colors. Setting a cluster of color against a simple background will enhance the mood
8#
 楼主|雪儿 发表于: 2011-7-10 14:08:14|只看该作者

Imperial Palace Garden, Japan

Photograph by Justin Guariglia, National Geographic



The symmetry of this lovely photograph by Justin Guariglia is interrupted and made memorable by the red umbrella and its reflection in the pond. The strength of the red in this scene balances the dominant deep greens and cool colors and is quietly echoed by a gray umbrella in the upper left corner. —Annie Griffiths

Photo Tip: In an image with a simple palette, a splash of color can add interest to the scene. But the placement of that color in the scene must be composed thoughtfully so that it adds to the balance of the overall photograph.
部分图片、文章来源于网络,版权归原作者所有;如有侵权,请联系(见页底)删除
9#
 楼主|雪儿 发表于: 2011-7-10 14:08:36|只看该作者

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Middleton Gardens, South Carolina

Photograph by B. Anthony Stewart, National Geographic



This exquisite image was photographed long ago, on a glass plate negative, by B. Anthony Stewart. Perhaps that explains the delicate palette that makes this image so very beautiful. The colors in this photograph have captured the feeling of spring in the American Southeast as well as any image I have ever seen. —Annie Griffiths

Photo Tip: With all the exciting creative techniques made possible by digital technology, it is good to revisit old images and old techniques. It can remind us that subtlety can be far more beautiful than manipulated imagery.
10#
 楼主|雪儿 发表于: 2011-7-10 14:08:50|只看该作者

Snowstorm, China

Photograph by Michael Yamashita, National Geographic



Another great picture made better by bad weather. Michael Yamashita has used a telephoto lens in this situation to compress the snowflakes into patterns of white. He has wisely focused on a plane of snow, leaving the background figures slightly soft. All these photographic choices pull the viewer into the storm. We can practically feel the snowflakes on our tongues. —Annie Griffiths

Photo Tip: A telephoto lens will compress everything in a scene, including elements as small as snowflakes. And the longer the lens, the more shallow the depth of field, so it’s fun to experiment with the patterns and shapes that happen when using this type of lens.
部分图片、文章来源于网络,版权归原作者所有;如有侵权,请联系(见页底)删除
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